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Media | The Guardian
Media news, opinion and analysis from the Guardian

The Guardian
  • ‘Don’t say we didn’t warn you’: Hong Kong foreign media told not to cause trouble after fire

    Beijing security agency accuses international journalists of disregarding facts and smearing government

    Beijing’s security agency in Hong Kong has summoned international journalists to inform them it will not tolerate “trouble-making”, following critical coverage of the deadly apartment complex fire that has left the territory reeling.

    Senior reporters from several media outlets operating in the city were called to the Office for Safeguarding National Security (OSNS), which was set up by Beijing in 2020.

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  • Martin Parr, photographer acclaimed for observations of British life, dies aged 73

    From sunbathers to Conservative clubs, Parr’s images were often in vivid colour with more than a dash of humour

    Martin Parr, the British documentary photographer who captured the peculiarities of the nation with clarity and hilarity, has died aged 73. He had been diagnosed with cancer in May 2021.

    A statement from the Martin Parr Foundation on Sunday said: “It is with great sadness that we announce that Martin Parr died yesterday at home in Bristol.

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  • Broadcaster targeted with racist slurs accuses Farage of emboldening ‘toxic environment’ online

    Farage is responsible for ‘dangerous’ culture shift, says broadcaster subject to alleged posts from Reform councillor

    Nigel Farage is emboldening attacks on people of colour, according to a journalist allegedly subjected to racial slurs by a Reform UK council leader who the party has been forced to expel.

    The broadcaster Sangita Myska, whose long career in British journalism has included presenting shows for the BBC and LBC Radio, said she was told by the former Staffordshire council leader Ian Cooper that she was English “only in your dreams”, because of her south Asian heritage.

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  • ‘Mouthpieces for Trump’: inside the rightwing takeover of the Pentagon press corps

    Pentagon press passes once held by credentialed journalists are now in the hands of rightwing pundits and Trump allies

    Being a member of the Pentagon press corps was once one of the more prestigious assignments in US journalism, a position reserved for heavy hitters from venerable newspapers and news channels, reporters at the peak of their powers.

    Not any more. A press conference last week – held at a crucial time for a Pentagon embroiled in scandal – was instead attended by more than a dozen rightwing activists, with the government being held to account by a close ally of Donald Trump, an employee at Turning Point USA and someone from a pillow salesman’s nascent media company.

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  • ‘Everyone will miss the socialising – but it’s also a relief’: five young teens on Australia’s social media ban

    As the under-16s social media ban looms, Guardian Australia speaks to five 13 to 15-year-olds about what they will miss, and what government should be doing instead

    Australia’s world-first social media ban for under-16s will begin in just a few days. Malaysia, Denmark and Norway are to follow suit and the European Union last week passed a resolution to adopt similar restrictions. As the world watches on, millions of Australian adolescents and their parents are wondering just what will actually change come 10 December.

    Concerns around the negative impact social media use can have on the wellbeing of young people have been around since the quaint days of Myspace – long before those to be affected by the ban were even born.

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  • A Melbourne bakery found TikTok fame, before trolls began harassing its young staff. How the owners responded went viral

    Montmorency Bakehouse decided to tackle online abuse head-on, asking viewers to ‘please stop with the thirsty comments’

    Lawrence Du knew instinctively that his parents’ bakery had the potential to pop off on social media.

    Shaun Du and Cindy Vuong opened Montmorency Bakehouse on the fringe of Melbourne’s east in 2003, after migrating to Australia from Vietnam. They started selling pillowy, coconut-dusted lamingtons, vanilla slices, chunky steak pies and crusty loaves of bread alongside crispy banh mi and rice paper rolls, creating a traditional country-style Australian bakery with a Vietnamese twist.

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  • ‘This merger must be blocked’: Netflix-Warner Bros deal faces fierce backlash

    US politicians and Hollywood guilds have voiced concerns against the proposed $83bn purchase of the studio

    The news that Netflix has agreed to buy Warner Bros in an $83bn deal has led to backlash among figures in and out of the entertainment industry.

    Elizabeth Warren, a Democratic senator, called it “an anti-monopoly nightmare” in a statement released soon after the announcement.

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  • Vanity Fair and Olivia Nuzzi part ways amid scandal over RFK Jr relationship

    ‘Mutual’ decision follows controversy over relationship with presidential candidate and claims of ethical breaches

    Vanity Fair is ending its association with Olivia Nuzzi, who had briefly been the magazine’s west coast editor, as the publication distances itself from controversy tied in part to her relationship with the US health secretary, Robert F Kennedy Jr.

    “Vanity Fair and Olivia Nuzzi have mutually agreed, in the best interest of the magazine, to let her contract expire at the end of the year,” publisher CondĂ© Nast said in a statement on Friday shared with the New York Times.

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  • The New Yorker at 100: Netflix documentary dives inside a groundbreaking magazine

    Film-maker Marshall Curry pulls back the curtain on the beloved institution in a revealing and celebratory new film

    When young film-makers ask Marshall Curry what makes a documentary idea, he tells them: “There are some stories that make great New Yorker articles, but they’re not movies.” It was only a matter of time before the director found himself testing his own wisdom with The New Yorker at 100, a new Netflix film about the magazine. “Somebody said to me that trying to make a 90-minute movie about the New Yorker was like trying to make a 90-minute movie about America. Ken Burns does that with one war.”

    The film pulls back the curtain on the mystical media shop. Curry and his crew spent a year rummaging through the archives, listening in on production meetings, shadowing famous bylines – none more venerated in the industry than editor David Remnick, the magazine’s abiding leader. Curry had hoped to make a meal out of staffers pushing to meet the February 2025 publishing date, the magazine’s centennial anniversary issue, but the scenes he found didn’t quite approximate anything from the boiler room-centered dramas of film fiction or even The September Issue doc on Anna Wintour’s clannish Vogue operation. “I wanted to see people running around each other and saying, ‘We’ve got to get this thing done before the deadline!’” Curry says. “But they don’t do that.”

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  • Warner Bros Disaster? Netflix inks deal for troubled Hollywood giant

    David Zaslav, CEO of Warner Bros Discovery, promised ‘everyone’ would win by combining the storied Hollywood studios with his reality TV giant. Instead, many lost

    It’s less than five years since David Zaslav, CEO of Warner Bros Discovery, negotiated what looked like the deal of his career. Now as Netflix plans a landscape-changing takeover of Warner Bros, he’s in the middle of an even bigger one.

    Zaslav, or Zaz, is a hard-charging, well-connected executive who cut his teeth inside NBC, and ascended into New York’s media elite as he transformed Discovery Inc from a nature- and science-focused cable broadcaster into a reality TV giant.

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  • I’m no hate-watcher. I really do love Meghan and her Christmas special | Polly Hudson

    The Duchess of Sussex is back and suddenly her show makes sense. It is cringingly ultra-extra, of course, but isn’t that what Christmas is all about?

    No matter the time of year, ’tis always open season on the Duchess of Sussex’s televisual offering, With Love, Meghan. Critics, professional and armchair, have rarely been so united as when gleefully ripping series one and two of the lifestyle show to shreds. The consensus was that there has never been a greater royal outrage than when she took some pretzels out of a labelled bag, put them in a different bag, then labelled it. And she didn’t even attempt to explain herself to Emily Maitlis afterwards.

    Now, like a merry renegade master, she is back once again with a “Holiday Celebration” (aka a Christmas special). But this time, it’s different. There are still the usual elements we’ve come to expect – psychobabble word salads, extreme hosting – but in the context of a yuletide episode, suddenly it all makes sense. The pieces have fallen into place; it’s a perfect snow storm.

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  • Beware the Liz Truss chatshow: viewers will require survivor therapy

    SuperLiz reboots herself inside a utility room, delivering nonsense so pure even her guests look trapped

    We happy few. We unlucky few. In years to come when we are all still recovering from post-traumatic stress disorder, we will be able to say we were there. That we have seen things that cannot be unseen. The 8,000 of us who, through a mixture of curiosity and comedy, chose to watch Liz Truss commit a drive-by on herself. Though only a very few will have made it to the end.

    Some won’t have even made it to the start. The show started an hour late because Liz forgot to put her watch back in October. Still, this was an award-winning YouTube TV show. Though not the awards anyone would want to collect.

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  • BBC showing tennis’s new Battle of the Sexes will just offer up opportunity to belittle women’s sport | Barney Ronay

    The match between Aryna Sabalenka and Nick Kyrgios opens up a direct channel between the BBC of old and a world of toxic internet hatred

    It’s always best to take a sceptical view of the constant flow of BBC-bashing newspaper stories, which are often simply bogus outrage expressed for commercial gain. Even the war-on-woke, cod-ideological stuff – Clive Myrie INSISTS hamsters can breastfeed human robots – the bits that make you want to smear your face with greengage jam and weep for England, our England, with its meadows, its shadows, its curates made entirely from beef. Even these come from a hard, transactional place.

    Basically, it’s the licence fee. The BBC is free at the point of delivery, but paid for by a national levy. The BBC is also a direct commercial competitor to every other form of legacy media, all of which are trying to find ways to survive and recoup revenue.

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